the author
Euler's Number is a solo project of Italian keyboardist Giuliano Vangelista.
My name is Giuliano Vangelista, I have been playing keyboards since I was 12. My favourite music genres are '70s rock, jazz-rock (fusion), funky, but also jazz, blues, and pop (to some extent). My reference artists are Jon Lord, George Duke, Richard Wright, Rick Wakeman, Oscar Peterson, Vangelis, Dave Brubeck, Brad Mehldau. I published two albums, one with Sinking Soul band (metal) and one as soloist under the nickname Euler's Number (prog rock). I also collaborate with local recording studios (Fluente Records and others). I also play with saxophonist Luca Donini and bass player Mario Marcassa in Luca Donini Nextgeneration band (fusion), besides to many other bands with different musical styles (Gin Seng - funky, Crosby Blues Band - blues, Fave di Fuca Comedy band - rock/pop, The Stars - 50s swing). I'm also the creator of the youtube channel "The Tone Creator".
Euler's Number was born in my mind, when I decided to bring up a solo project to praise math and science.
My name is Giuliano Vangelista, I have been playing keyboards since I was 12. My favourite music genres are '70s rock, jazz-rock (fusion), funky, but also jazz, blues, and pop (to some extent). My reference artists are Jon Lord, George Duke, Richard Wright, Rick Wakeman, Oscar Peterson, Vangelis, Dave Brubeck, Brad Mehldau. I published two albums, one with Sinking Soul band (metal) and one as soloist under the nickname Euler's Number (prog rock). I also collaborate with local recording studios (Fluente Records and others). I also play with saxophonist Luca Donini and bass player Mario Marcassa in Luca Donini Nextgeneration band (fusion), besides to many other bands with different musical styles (Gin Seng - funky, Crosby Blues Band - blues, Fave di Fuca Comedy band - rock/pop, The Stars - 50s swing). I'm also the creator of the youtube channel "The Tone Creator".
Euler's Number was born in my mind, when I decided to bring up a solo project to praise math and science.
